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By 3D- weaving these textile sculptures I’m proposing the idea of textile as a beautiful new building material, with endless possibilities in application.Do you think the textiles of this project could be used for mass-production in the near future?
It is like a poetic communication between the body and materials.
Her concepts and designs often contain contradictory elements and a new playful approach, that she uses to push boundaries, resulting in a little idiosyncrasy or raw edge in every one of them.
The desire to bring textile into the interior in a different way than we are used to, resulted in a technique that creates fragile looking skeletons, hat give the suggestion of a solid volume.
A starting point for a design could be anything, from wanting to show the value of a certain technique, to the way we move in a space, to how we treat our bodies.
Having a subject in mind, I start experimenting and sketching 3-dimensionally with materials, shapes and colours, creating an imaginary world or story, with its own atmosphere.
A lack of support and hollowness make them seem on the edge of breaking, though their structure is strong and sturdy.
Therefore, they can not only carry themselves, but also the human body.
Fransje Gimbrère is a multidisciplinary designer, born and raised in Tilburg, graduated in 2017 from the Man & Identity department at the Design Academy in Eindhoven.
She observes and explores the world with profound critical thinking and an intuitive interest for the aesthetics of shape, color, image and material.
From here I begin to work towards the application and purpose of the design, narrowing down by evaluating every creative step and outcome of experiments.
How much impact would you like your work to have on society?
Therefore I am now seeking for the right party to help me further in the development of the technique and fine-tuning the material. Materials are intermediate products; they can still serve all sorts of applications and leave some room for imagination.