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Mara plays Lisbeth Salander, a brilliant young hacker who teams up with Craig.During the forty minute press conference, Craig and Mara talked about what they did to get ready for the film and how they made the characters their own, how Fincher got permission to use Led Zeppelin’s “Immigrant Song,” the relationship between Lisbeth Salander and Mikael Blomkvist (Craig’s character), the casting process, collaborating with Fincher, how they’ll probably shoot the sequels back to back, the amount of takes Fincher likes to do, and so much more.
What was your initial reaction and was there anything that surprised you about the film? There are people who share a…if we have an unspoken understanding and a way of communicating that is easy or if we have been through it before and we know.They are trying to pressure studios into diminishing it. This is obviously a book that millions and millions of people have read. One of the things we were very particular about was when she meets Miriam Wu in the bar. There are two times that you see her smile in the entire movie and one of them is when is she gets the attention of Elodie [Yung] and Elodie comes over to kind of say, “Why are you here alone? I also think that Salander’s sexuality is less of a ambidextrous thing than it is something that she has to act on.People have this vision of what these characters are. I think the tragedy is that friction is not a problem for her; intimacy is a problem for her.Instead of using Mara — who has said in the past that she’d be down to return, despite rumors she was being replaced by Alicia Vikander (Vikander reportedly has since passed on the role) — the reboot is doing a “global search” to find a new star.“Lisbeth Salander is the kind of character any director dreams of bringing to life,” Alvarez wrote to Buzz Feed in a statement.set to open tomorrow night, over the weekend, Sony held a press junket in New York City and I got to participate in a press conference with director David Fincher, Rooney Mara, and Daniel Craig.
As most of you know, is the first in Stieg Larson’s Millennium trilogy and it centers on a disgraced journalist (Craig) who’s hired to investigate the mysterious 40-year-old disappearance of a young woman.
One of the most subversive things about this film is the smoking. I’m curious, what was the imperative to have these characters smoke all of the time and to feature cigarettes? We took some of the smoking and some of the coffee out because in the book…there was a time during pre-production where we ingest, but it had a moment where it maybe took hold.
We were literally going to begin every scene with a cup of coffee and a cigarette burning just in homage to Stieg [Larsson]. We start with the book and that is what the book described.
Hit the jump to either read or listen to the press conference.
Question: Rooney, I understand that you were given a list of things that you had to do or be prepared to do in order to get this role before you auditioned. Daniel, did you get a list of things you had to do in order to prepare for this?
We needed to make sure that they understood that it was going to be a cover. Does that kind of rating – the fact that your film is an R and that film is an NC-17 – reflect the MPAA as a broken system or does it reflect the public’s tolerance for misogyny and murder? It is kind of odd because there is a big age difference first of all but it also seems that because she doesn’t like intimacy she wouldn’t fall for him even though she seems to.